Rotaract Club of Uva Wellassa University-Badulla

  End hunger, achieve food security and improved nutrition and promote sustainable agriculture or the SDG 2, seeks long-term solutions to eradicate all forms of hunger by 2030 and achieve food security.The goal is to ensure that everyone, everywhere has enough nutritious food to live a healthy life. Achieving this Goal will demand improved food access and widespread advocacy of sustainable agriculture. This comprises increasing small-scale farmers' productivity and earnings through fostering equal access to land, technology, and markets, as well as sustainable food production systems and resilient agricultural practices. It also necessitates larger investments through international cooperation to boost agricultural productivity in emerging economies. Taking all of this entry goal's underlying objectives into account, a collection of significant interactions between the SDG 2 targets and those of other goals can be identified. The interaction of this sustainable developm

The Bamboo associated Art Tradition, which dates back to the colonial era of Sri Lanka, is an important and valuable art form unique to Sri Lanka. Accordingly, this is still seen in various parts of Sri Lanka today, and it is because of the bamboo resources in the country that it has become such an industry. That is why today the bamboo resource in Sri Lanka has become a raw material to support the household economy. There are about 14 species of bamboo in the bamboo resource of Sri Lanka, most of which are cultivated and the rest are found in botanical gardens. It is also the most mountainous type of bamboo bush in the country. These are found in all three major climatic zones of Sri Lanka and surveys have shown that Ochlandra Stridula and Bambusa are the most common endemic species in the country. The highest distribution of these is in the Kalutara area. In terms of the use of this resource of such value, it is used for the home craft industry, housing and construction. Although thi

Among the industries that are able to showcase the creative potential of the Sri Lankans, the most popular are the Cane, Reed and Bamboo industries which are the most popular in the rural areas. Today, special attention is being paid to such fields. This is because of the fact that substandard plastic products are now closer to people's lives. The use of plastic equipment results in the addition of a number of wastes to the earth that have not decayed over the years and are difficult to recycle. They directly and indirectly affect not only humans and animals but also plants. The best way to control the ingress of this non-recyclable material into the environment, which is one of the most serious problems today, is to use products made from natural reeds, bamboo and canes in our daily lives. In the past, people who lived in rural areas used canes, bamboo, and reeds as raw materials to make utensils, boxes, and mats needed for everyday life. But today, with the advent of modern techn

Sri Lanka is one of the fascinators destinations in the map of the Indian Ocean. Not only the beauty of the country but also the folk art and culture of the country made a great contribution to this. Among those folk arts, mask art has a special place. Mask art has been a traditional folk art form in Sri Lanka for centuries and is closely associated with various cultures as well as dance traditions and rituals. Tourists have a great love for such fascinating arts unique to Sri Lanka. One of the main reasons why the Southern Province, which is a major tourist destination, is gaining traction is the popularity of mask art centered in the Southern Province. This is due to the fact that tourists are eager to see the beautifully colored masks as well as the rituals and dances performed using them. Today, mask showrooms and museums have been set up not only in the Southern Province but also in various parts of Sri Lanka for the purpose of attracting tourists, which has increased the interest

The Reed and Rush Industry is one of the most popular rural industries in Sri Lanka. This industry can be introduced as another traditional art that represents the superior creative potential of the Sri Lankan. From time immemorial, the industry has been closely associated with rural life. The reason is that these plants, which are grown in paddy fields and wetlands, are used as a raw material to make the tools needed in everyday rural life. The manufacturing process of the products produced here is in three basic steps. These include cutting reeds, drying in the sun and decorating with appropriate colors. These plants have been used in the past to make boxes, mats, luggages, and small purses, and today the range of these products has expanded. Among them are women's handbags, jewellery, hats, home decor and more. These products are able to attract the attention of not only locals but also foreigners and they also contribute a great deal to the national economy through exports. Wit

When it comes to the pottery industry in Sri Lanka, one memorable person comes to mind. Ajith Mohan Perera is his name. He's also known as "Master Potter" because of his contributions to the Sri Lankan pottery industry via self-study. Mr. Perera began his career with the Ceylon Ceramics Corporation in 1975. After 19 years, he was inspired to embark on his own journey.In 1986, he launched a shop under the name "Anuradha Ceramics" after exhibiting his first collection at the National Gallery. Mr. Perera also earned first prizes in Sri Lankan contests and received a scholarship to the United States of America under the US.AID program in 1993. In 1996, he was awarded the “Bunka” Prize in Japan for his third exhibition in Nagoya. Mr. Perera currently runs his own firm and serves a number of well-known hotel groups, including Jetwing Hotels Group, Hilton Colombo, and Cinnamon Grand. He has lately released a line of tableware, which includes plates, oil burners, and ba

Beeralu lace weaving, a legacy of the ancient Sri Lankan tradition, has now become a struggling industry.  This traditional industry, which has been around for many years, is on the verge of extinction. Traditional Sri Lankan beeralu lace weavings are disappearing from our country but this has the potential to generate huge revenue in the local and foreign markets.  It is a special trend that women, especially in European countries, are increasingly interested in these beaded laces.  But the problem is that these designers do not have the proper support in Sri Lanka for the future development of this weaving. This craft is dying because we have neglected the heritage of our country.  Today's young people also refuse to learn this traditional occupation as it is a difficult task to engage in this industry. The beeralu lace industry is facing a hopeless future with a backward demand and if these traditional beeralu weavers are not supported, it will become an old traditional art that